1001 Movies To See Before You Die

May 14th, 2008 | 16 Comments | Movies |

I counted 267 that I’ve seen, so if I can hang on until age 180 or so I might catch them all. Notable omis­sion: “Help.” See what else you can find.

This list’s in chrono­log­i­cal order, so there’s no quib­bling over whether God­fa­ther II is bet­ter than the first.

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16 Responses to ' 1001 Movies To See Before You Die '

  • on May 14th, 2008 at 11:43 pm
    shari wrote,

    i counted 349. That doesn’t mean i watched them all to the end tho. But it does indi­cate i don’t have a life.

  • on May 15th, 2008 at 9:03 am
    tom wrote,

    Well what good is life if you can’t spend it pas­sively watch­ing a screen?

    Two more omis­sions, per­sonal favorites: “Days of Wine and Roses,” with Jack Lem­mon and Lee Remick; and “My Dog Skip,” which many peo­ple might find smarmy we here at tom​-mcgee​.com world head­quar­ters just love.

    And two that might be unfor­giv­able: “The Great Dic­ta­tor,” and “Moby Dick.”

  • on May 15th, 2008 at 7:38 pm
    shari wrote,

    You know what? I do spend it pas­sively watch­ing the screen 11 months out of a year. But then we take a
    blowout vaca­tion (when i wasn’t work­ing we’d go for 3 or 4 weeks). We have seen almost every state in the coun­try. There are 5 or 6 we haven’t seen. We’ve been to sev­eral Civil War bat­tle­fields, Jamestown, Williams­burg, Philadel­phia, Key West, Hawaii (4 islands). That’s a dif­fer­ent kind of lifestyle but it’s the only way we can man­age it due to Rey’s posi­tion and respon­si­bil­ity. That’s also why my dad won’t come live with us. Because most of the time we lead bor­ing lives. Oh, we attend our friends 25th or 30th anniver­saries or their kids wed­dings or what­ever. A cou­ple times a year we go out to sing karaoke with friends. I don’t sing cuz if i did the joint would be empty. But Rey sings. We don’t have such a bad life. To be hon­est, i pre­fer stay­ing home because i’m always so dang tired.

    I didn’t see Con­rack on that list. It’s prob­a­bly not wor­thy of the top 1000 in some peo­ples opin­ion but it’s a movie i watch when­ever it’s on. Again, it’s a 60’s movie with a sort of civil rights angle. More like a race angle. That is, “Con­rack” is try­ing to bring these poor iso­lated black chil­dren up to the stan­dard of other school chil­dren. Have you seen it?

  • on May 15th, 2008 at 11:23 pm
    tom wrote,

    Speak­ing of which, I see “Mis­sis­sippi Burn­ing” isn’t on the list either. Any­way, you’ve only notched up around 80 more than me, which is prob­a­bly about 160 hours — just seven or eight days out of our already long lives.

  • on May 16th, 2008 at 6:29 am
    Shari wrote,

    Mis­sis­sippi Burn­ing gets no love because they fic­tion­al­ized the story. It would’ve been fine if they had stuck to the way it really hap­pened. But you know, with­out the “woman” being the one who gave the dudes up, they would’ve had to use the “KKK infor­mant” and maybe that wasn’t deemed as palat­able or polit­i­cally cor­rect. A KKK guy who decides he can’t stand for this any­more??? Not some­thing Hol­ly­wood wants to focus atten­tion on.

  • on May 16th, 2008 at 12:20 pm
    tom wrote,

    You think? Because it wouldn’t be alone as a fic­tion­al­ized account. “Titanic” comes to mind, along with “Birth Of A Nation.”

  • on May 17th, 2008 at 5:50 am
    shari wrote,

    If you’ll recall the movies you men­tioned, includ­ing Mis­sis­sippi Burn­ing all added a love story that wasn’t part of the real story (at least i don’t think so with Birth of a Nation but i can’t remem­ber exactly. weren’t there two love sto­ries going on in that one?).

    Which is inter­est­ing to think that in 1929 (or when­ever “Birth of a Nation” came out, they already real­ized that a love sub­plot wss needed.

    Maybe you can think of some other true story movies that didn’t have a love story imbed­ded in there. I can’t think of one offhand.

    So as far as Mis­sis­sippi is con­cerned, hav­ing the pas­sion grow­ing between Gene Hack­man and Frances McDor­mand was a sub­plot. But she being the one who turned the bad guys in per se was just killing two birds with one stone. That way they got over that lit­tle prob­lem about a KKK mem­ber actu­ally being the one that gave the guys up.

  • on May 17th, 2008 at 7:31 am
    tom wrote,

    Even if they don’t have love sto­ries tacked on, real life hardly ever fol­lows the dra­matic curve you need to make an inter­est­ing movie.

  • on May 17th, 2008 at 10:14 am
    shari wrote,

    Touche. But the story of what really hap­pened in Neshoba County would’ve still been an inter­est­ing one. The prob­lem that MB has is not that it bent the truth a lit­tle bit. It took the most crit­i­cal event, the “turn­ing in of the bad guys” and com­pletely changed the cir­cum­stances and per­son involved.

    What really hap­pened was just as inter­est­ing, maybe it would’ve been even more so. But i think there are two pos­si­ble expla­na­tions for chang­ing that. Either they did it because there was so much back­ground you’d have to know and it might’ve taken too long to explain, so they changed it to con­dense the film. Or, they did it like i said the first time, because it would glo­rify a KKK mem­ber who became an FBI informant.

    As i’ve said here before MB is one of my favorite movies. I take it as it is under­stand­ing that most of it didn’t hap­pen the way they said it did. But i think that’s why the film didn’t get that years Oscar. It would’ve had a bet­ter chance if they were his­tor­i­cally accu­rate at least with who the FBI infor­mant was.

    Chang­ing things around a lit­tle bit is a given. We expect that. But for this impor­tant of an his­tor­i­cal event, the film shouldn’t have even been nom­i­nated for an Oscar because what they did is, imo any­way, and could be inter­preted by oth­ers too, dis­re­spect­ful to the 3 young men who were killed and their fam­i­lies. Those kids deserve to have had their story told as accu­rately as possible.

  • on May 17th, 2008 at 10:29 am
    shari wrote,

    Let me clar­ify some­thing. I’ve said before that i thought MB got robbed of an Oscar. Now i’m say­ing it shouldn’t have even been nominated.

    Stand­ing on it’s own, had it not been a true story, it prob­a­bly would’ve won.

    But upon think­ing it thru it’s under­stand­able why it didn’t win, but got a nod. It was that good, but it had that “lit­tle prob­lem” that just couldn’t be over­looked. So now i’ve changed my thought about the Oscar sit­u­a­tion. I shouldn’t have said above “the film shouldn’t have been nom­i­nated for an Oscar”. I should’ve said I could see how that would’ve been an option. But instead they gave it the kudos it deserved, the nod, but couldn’t take it home because of the way the mate­r­ial was treated.

    I’m human and my thoughts about things change. I still love the film tho.

  • on May 17th, 2008 at 11:03 am
    shari wrote,

    I’ve been try­ing to get Jor­dan to watch “Net­work” for some­time. I told him what an excel­lent film it was. So he finally watched yes­ter­day and said it was good, but not as good as he’d expected. Too out­dated, over the top act­ing (didn’t care for Faye Dun­aways per­for­mance at all), and too predictable.

    He has men­tioned that since grad­u­at­ing film school he can’t enjoy movies as much any­more. Cuz now, he can now pre­dict what’s gonna hap­pen and he looks at movies with a dif­fer­ent per­spec­tive. He’s look­ing more at how the film is made rather than just watch­ing it for pleasure.

    Film school has really turned him off on what he had always wanted to do. Be a screen writer. He also liked the sound aspect too. He writes screen plays and has ideas for oth­ers that he tells me about. Really good ideas. But he claims his inter­est is gone. I think it has more to do with the com­pe­ti­tion. He’s always been top dog, but at NYU he felt like a mutt. That’s what he thinks, but i doubt it’s true. His tal­ent is phe­nom­e­nal, his ideas are great, but he’s not a com­peti­tor. He isn’t used to being a com­peti­tor and doesn’t know how to deal. I really think the inter­est is there but he’s afraid of rejec­tion. Or, God for­bid, hav­ing to start at the bot­tom. Maybe this explains why he can’t decide what he wants to do. Maybe he really does want to be in the indus­try and that’s block­ing out con­sid­er­a­tion of all other avenues.

  • on May 17th, 2008 at 12:32 pm
    andy wrote,

    I counted 120 when I got inter­rupted at work. So maybe I’ve seen around 130. I was sur­prised because I don’t watch movies reg­u­larly. Also I’ve seen 5 min­utes here and there of about another 30 of the movies on the list.

    Film school has really turned him off “
    LA is to movies what Detroit is to autos. It’s a big fac­tory where you are a cog in the machine. On the other hand qual­ity tools are really cheap nowa­days. If you have a good script and lots of drive it’s pos­si­ble more than ever to make it hap­pen on your own terms.

  • on May 17th, 2008 at 3:01 pm
    shari wrote,

    We did talk to him about going for it now. Strike while the irons hot in Hol­ly­wood. He just say’s “meh”. But thanks for that. I’ll keep try­ing because i know that this is what he has always wanted to do. But does he have the drive? That’s what i’m afraid he doesn’t. Not because he’s lazy. But because he’s not up for a com­pe­ti­tion. Not a fighter.

  • on May 17th, 2008 at 7:48 pm
    tom wrote,

    Let’s remem­ber that this isn’t a list of “best” movies, it’s a list of movies that are impor­tant to see. I mean, “Tri­umph of the Will” is on it

    Sure, the mod­i­fi­ca­tions to the MB story were bad ones; so that ques­tion is, is that enough to make it a movie not worth see­ing? That’s not a rhetor­i­cal question.

  • on May 18th, 2008 at 12:30 am
    shari wrote,

    Admit­tedly, I do tend to get off topic. That’s because i’m used to a lot less strict rules. I merged the dis­cus­sion of Best Movies that never won an Oscar with this topic on the Mis­sippi Burn­ing dis­cus­sion, among other offenses. guilty. guilty. guilty. Slap the cuffs on me!

    I thought i made it clear that imo MB is a great movie, so of course i would rec­om­mend it to other peo­ple. If it weren’t worth see­ing i wouldn’t have watched it 30 or more times already.

    I’ll try to keep my com­ments brief and on topic (to the extent that is pos­si­ble for me).

  • on May 18th, 2008 at 9:29 am
    tom wrote,

    One of the guys at work has been in LA this last week, he sold his first script and then was offered a one-week gig rewrit­ing some other script. I don’t know how old he is, I’d guess mid-30s. He’s been doing stuff like film­ing events, edit­ing, a lit­tle teach­ing. There’s lots of stuff in any field that you can do to make a liv­ing, or even have some fun, with­out jump­ing into the shark pool.

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